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#LOTR TWO TOWERS EOMER MAD AT WORM MOVIE#
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Then there's Brad Dourif's serpentine Grmma Wormtongue and Miranda Otto's slowly thawing Р“вЂ°owyn.

#LOTR TWO TOWERS EOMER MAD AT WORM FULL#

Sean Bean makes us feel the bewilderment of a strong, good man who discovers too late the weakness of his humanity Bernard Hill's Theoden slowly awakes from stuporous despair into the full flower of his kingliness, a state of authority so ideal (and so beautifully embodied by Hill, with that regal expanse of forehead) it rivals that of Shakespeare's Henry V. Both parts provide a Shakespearean ballast to the high-flown elements of Tolkien's fantasy, and both are perfectly cast. In 'The Two Towers,' it's the restoration of King Theoden.

#LOTR TWO TOWERS EOMER MAD AT WORM MOVIE#

In 'Fellowship,' that man fails the narrative arc in that movie is the tragedy of Boromir and his gradual surrender to the power of the Ring. In each of the films so far, within the larger story of the quest to save Middle-earth, there's a complete subplot about a man who must rise to his own role in the epic. 'The Two Towers' is the film that really tests the dramatic ingenuity of the trilogy's screenwriters (Boyens, director Peter Jackson and his wife, Fran Walsh) and the film in which their chosen strategy comes into focus.

Not that the film doesn't work, even if it does lack the road-movie momentum of 'Fellowship.' Besides the spectacular battle sequence at Helm's Deep, there are a handful of fine performances by top-drawer actors in supporting parts, parts that, paradoxically, give them more to chew on than the leads get. At some point amid the additional material on this DVD, someone (I think it's co-screenwriter Philippa Boyens) says the theme of 'The Two Towers' is 'holding on,' a principle that was called for on both sides of the cameras.

#LOTR TWO TOWERS EOMER MAD AT WORM HOW TO#

(The question of how to animate Gollum is the controversy most frankly discussed.) Ultimately resolved, of course, but still.Р”В«y contrast, the DVD of the extended version of 'The Fellowship of the Ring' is positively giddy - with the fresh thrill of success and the bedazzlement that comes between the conceiving of a glorious plan and the actual execution of it.

Yet, it was, as anyone can tell from paying close attention to the hours of documentaries and audio commentary included on the DVD of the extended version of 'The Two Towers.' Between the lines of the usual encomiums to the geniuses and 110-percenters everyone worked with, you can detect a back story of spats, quarrels and knock-down, drag-out fights.

Though somehow you don't expect the creation of the movie to have been that sort of experience - a bit of a slog, without the exhilaration of a beginning or the satisfactions of a conclusion - for the filmmakers. It has no obvious dramatic climax of its own. Tolkien conceived of 'The Lord of the Rings' as a single novel), it's the middle of three smaller stories - the narratives following the fates of the Fellowship's members after the group splits up. Not only is 'The Two Towers' the middle of the overall story ( J.R.R. 'The Two Towers' was always going to be the problem child of Peter Jackson's film trilogy of 'The Lord of the Rings.' Like the book, the movie exists as a separate work mostly to keep either the first and last parts of the narrative from being too long.

Lotr two towers eomer mad at worm